Review by Lynn McGee A design motif on Pools of June by Mary Meriam is the image of bubbles. They appear on the cover, fill an illustrated figure diving into water on the frontispiece, tumble skyward on the title page and encircle page numbers in the table of contents. Every scuba diver knows that bubbles travel up, toward air. Disoriented underwater, it’s wise to follow their trail. Likewise, each poem in Pools of June is a body of water navigated by a speaker who moves in directions the reader might not expect, but which always break the surface into…
Author: Mom Egg Review
Review by Jennifer Saunders Revisiting Medusa in the Age of #MeToo: A Review of Head of a Gorgon by Raegen M. Pietrucha Harm abounds in Raegen M. Pietrucha’s debut full-length poetry collection Head of a Gorgon, but so does healing. Pietrucha, whose chapbook An Animal I Can’t Name won the 2015 Two of Cups Press competition, counterpoints the myth of Medusa, raped by Poseidon and punished by Athena, with a present-day story of sexual abuse to trace a long cultural history of misogyny and victim-blaming. Yet even as these poems trace harm, they offer a path towards re/dis-covery.…
Megan Merchant Working the Night Shift String a white sheet from the body of trees in the wild, set a lantern behind its screen and wait for the flush of mottled wings to lisp and net the light, note how some are frayed as edges of a rug beaten against wind, how the brightest markings allow the most brazen behavior, a wingspan—that if crumpled inside a mouth— will tart a tongue. Wait as they collect like silk eyes twitching, paper darts that shred rain, and can trace the scent of a wounded leaf to know where to slip their young…
Review by DeMisty D. Bellinger In A River Within Spills Light, Jane Attanucci’s debut full-length poetry collection, she melds being a mother, a grandmother, and a daughter whose mother died prematurely in both form and free verse. Attanucci is open with her experiences throughout. Her language is friendly and familiar, inviting her audience in as confidants. This a debut from a writer over fifty who is liberal with wisdom and grace. The book begins with the poem “Perhaps I Should Tell You,” which serves as a convocation. Here, she establishes the conversational style that sets the timbre of the…
Review by Lara Lillibridge I personally love story collections in the summer—the small bits fit nicely into a busy schedule and the time away from the book allows the words to linger, as I roll them over in my mind. I had heard about Riham Adly’s flash fiction collection, Love is Make-Believe, and jumped at the chance to review it. An award-winning writer from Giza, Egypt, her website states, For starters I’m rebel at heart who believes in doing what she loves for a living after ditching dentistry for a career in writing and teaching and moderating…
Review by Lynn McGee “The End of Horses” is a book title that puts the concept of finality squarely in the reader’s view. It challenges the cognitive dissonance that enables us to go about our lives unhampered by the despair of living in the earth’s sixth mass extinction — and the first mass extinction caused by our own species. Some of the poems in this collection are sure to become iconic and widely anthologized in collections responding to environmental degeneration and the crises it causes for wildlife and domestic animals across the globe. Margo Taft Stever’s signature gift as a…
Mother Kingdom by Andrea Deeken, Cover and drawings by Hyde Meissner Review by Lynn McGee With Pride Month just having ended and given the Supreme Court’s latest ruling, an epigraph as ordinary as “For my wife and daughter”—found in Mother Kingdom, the 2022 Slapering Hol Press chapbook winner by Andrea Deeken—feels wildly affirming to me, a lesbian who has watched the concepts of family and women’s autonomy evolve over decades. The collection presents fourteen narrative poems that rise with matriarchal revelation and pride. The opening poem, “Lineage,” has a title that reflects a concept running throughout the collection: the inheritance…
Review by Mindy Kronenberg A favorite course of mine back in graduate school (under the tutelage of poet Julie Sheehan) was a “First Books” examination of established contemporary poets, seeing their early literary discoveries and distinctive voices take shape and provide signs for the familiar refinement and profound declaration associated with their work. The pleasure in reviewing debut collections is getting that same exciting sense of discovery—witnessing a determined and inspiring poetic voice begin its journey. Julene Waffle’s So I Will Remember is a well-crafted and moving first collection of memories and meditations that engages the reader and sets…
Review by Abby Orenstein Ash Popular culture flattens the lives of disabled people beyond caricature, reducing the complexity of lived existence to a simplistic narrative that either wallows in pain and exploitation or relies on sports cliches of odds-defiance and triumph in the face of adversity. The tendency to flatten the lived experiences of people with disabilities is well known. As James C. Wilson and Cynthia Lewiecki-Wilson write in Disability, Rhetoric and the Body, [When] Americans think, talk and write about disability, they usually consider it as a tragedy, illness or defect … that is as personal and accidental,…
Review by Laura Dennis As I write, it is late June 2022. We are reminded more each day of the perils of living in a female body, of the constant scrutiny. Perhaps that is why it feels fitting that Two Brown Dots, penned by Danni Quintos, opens under the watchful eye of the male gaze, one protective––the father––the other threatening––a serial killer. Fitting too is the fact that this poem, “Portrait of My Dad Through a Tent Window,” introduces the question of the racialized body from the outset, with a police officer checking the photo of the killer several…