There is more and more I tell no one
Once a week, my mother brought me home
to make Lebkuchen, my passion all that fall
because it would ripen while I was gone
and because it saved talking.
I spent hours measuring
the bars stiff with dried fruit and honey,
and she let me pretend—
but pretend what? that I was helping
prepare for Christmas? She would
drive over to the Home and pick me up,
then, as we neared the house, I would
lie down on the floor.
Lucky for her, the garage
led into the house, where already
the kitchen curtains were drawn
and the bowls stood waiting.
Oh, love, why was I dutiful,
why was my mother afraid?
Why did I not carry my belly
proudly through the neighborhood?
You have been gone so long.
You would be fifty-five now,
lines around your mouth and eyes,
perhaps college, perhaps children,
a couple of marriages.
But past those weeks
when I laid Lebkuchen out to cool
on the cherry wood dropleaf table,
then packed it in tin after tin
until my mother said, Annie, it’s time
to take you back—past those weeks,
you never were, and your death
pulled me into the shadows.
That’s when they began,
the things I tell no one.
Ann Fisher-Wirth’s sixth book of poems is The Bones of Winter Birds; her fifth, in collaboration with photographer Maude Schuyler Clay, is Mississippi. Ann is coeditor, with Laura-Gray Street, of The Ecopoetry Anthology. A senior fellow of the Black Earth Institute, she has had senior Fulbrights to Switzerland and Sweden, and several residencies for poetry. She is Professor of English and directs the Interdisciplinary Minor in Environmental Studies at the University of Mississippi.