Caits Meissner The Summer Phife Is Born A Cento made of lines pulled directly from Cheryl Boyce Taylor’s Mama Phife Represents The summer Phife is born we have the world by its chin. Say something sweet about my child slick as rain puddle, we fall in love with that little boy, my little transistor radio will cause a rebellion! That boy entered my house by the back door, twin brother come walking unshaven— we listen— swallowed my joy then made a poem— we listen— first gold album, sugar will rise, the lushest sound— we listen What messages…
Author: Mom Egg Review
Review by Catherine Hayes In her latest novel, Foundations, Abigail Stewart tells the story of three unique, individualistic women living in three separate eras of history who find their stories connected not only through the Dallas ranch house they all inhabit at one point in time but also through their shared struggles of trying to reinvent their lives and and reconcile what it means to be imperfect in a society that expects perfection from women. Stewart introduces her reader to three protagonists across the three segments of her novel: Bunny, a 1960s childless housewife who turns to spiritualism to…
Review by Jiwon Choi In Land Marks, Sharon Tracey’s third book of poetry, the poet has created a body of work that evokes what Robin Wall Kimmerer describes as the longing to live in a world made of gifts, for “we have grown weary of the sour taste in [our] mouths”––the sour that comes from being obsessed with the economy of commodity. And though you will find commodity in Land Marks, you will find them in Tracey’s astute taxonomy of flora and fauna: California quail and gray fox after a wildfire; North Atlantic Right Whale about to be autopsied;…
Review by Laura Dennis When you hear “fragile objects,” what is the first thing that comes to mind? Do you think of valuables one keeps locked in a case lest they be destroyed, or does your mind immediately reach for the metaphors such an expression might imply? In Katy Carl’s new story collection, the expression refers to all of that and more. On the one hand, we have the collection of “frangible curiosities Bub knew he must never touch” in the title story that also opens the collection. On the other, readers encounter a whole host of intangible breakables,…
Review by Mary Ellen Talley Kate Reavey brings a sense of the circularity of seasons and motherhood in CURVE, her first full length poetry collection. The five sections of free verse encompass an arc of personal experiences: motherhood, parenting, family life, cancer, and losing parents. Metaphorical and actual curves suggest a lyrical ebb and flow within an ocean of language and the natural world. Desire for pregnancy begins the book. The first poem, “My mother’s nipples,” sets out with a heartfelt wish, “I ask for stretch marks / silver as the hairs across / my mother’s brow.” Children arrive…
Review by Gabby Gilliam In her captivating debut poetry collection, Ellis Elliot delves into the multifaceted role of mothering. In her poem “Anthem”, she writes “This is about every mother, everywhere, and the dreadful dark we find ourselves in sometimes,”(57) setting the tone for a compilation that gracefully weaves together themes of trauma and recovery, conflict and acceptance. The initial part of the collection revolves around Elliott’s stepson, who has special needs. Through her poems, she artfully captures moments of profound connection and pays meticulous attention to detail, provoking the reader to stop and reflect. Each poem serves as…
Review by Melanie McGehee a petit mal, the debut nonfiction work of visual artist and poet Ana Maria Caballero was awarded The Black Spring Press Group’s International Beverly Prize and was a finalist for AWP’s Kurt Brown Prize. A memoir documenting a mother’s journey towards a diagnosis for her young son’s seizures, it defies structural norms. Caballero’s unique stream of consciousness captures multi-tasking spirit that is familiar to any mother, grammar rules be damned. In its first sentences, we are promised a “disruptive” presentation. I will give you a hint: the “key” provided at the beginning of the book…
Review by Angela Williamson Emmert Minnesota poet Jennifer Manthey opens her award-winning, debut collection The Fight not with conflict but with an unexpected, though fraught, agreement. “U.S. Embassy, Kinshasa, DRC” describes the process of an overseas adoption through a series of minor actions, each of them shaped by colonialism and determined by race. Black men hold doors while White men occupy offices; Black women “[speak] their answers” while White women “play the part […] dutiful and quiet.” Then with a startling, biting clarity the poem concludes: “At the end / of the afternoon we leave with their babies” (11).…
Review by Teresa Tumminello Brader LaToya Jordan has many illustrious writing credits, including a piece in Mom Egg Review 13; several are devoted to the experiences of pregnancy, childbirth, and motherhood, and she writes across several genres. To the Woman in the Pink Hat is a worthy addition to these topics, and in a speculative-fiction vein. Published by Aqueduct Press, her novella is Vol. 87 in their Conversation Series, a collection of short works of, or about, feminist science-fiction. The press prides itself on bringing “challenging” texts to “demanding readers”: Jordan’s entry fulfills these objectives. The challenging and demanding…
An Interview with Debut Memoirists Lauren Kay Johnson and Paige Towers Interview by Emily Avery-Miller The Fine Art of Camouflage by Lauren Kay Johnson is a debut memoir that explores what it means to be a woman in a war zone, to be a parent or child in a military family, and how the stories we tell can both expose and obscure the realities of the power and trauma of war. I ache for the woman who [jumped] right back into the flurry of Wife, Mother, Cook-to-order Chef, Taxi Driver, Schedule Master, Center of Gravity . . .…