Author: Mom Egg Review

Sarah Dickenson Snyder The Sound of a Door From Mom Egg Review 18 – HOME  https://soundcloud.com/themomegg/the-sound-of-a-door-by-sarah-snyder Sarah Dickenson Snyder has three poetry collections, The Human Contract, Notes from a Nomad (nominated for the Massachusetts Book Awards 2018), and With a Polaroid Camera (2019). She has been a 30/30 poet for Tupelo Press and nominated for Best of Net in 2017. Recent work has appeared in Artemis, The Sewanee Review, and RHINO. https://sarahdickensonsnyder.com.

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Lauren Goodwin Slaughter The Interview From Mom Egg Review 18 – HOME Lauren Goodwin Slaughter is the recipient of a Rona Jaffe Foundation Writers’ Award and author of the poetry collection, a lesson in smallness. Her poems, essays, and short stories appear or are forthcoming in Image, Canary, RHINO, Pleiades, Kenyon Review Online, New South, and 32 Poems, among other places. She is an assistant professor of English at The University of Alabama at Birmingham where she is also Editor-in-Chief of NELLE, a literary journal that publishes writing by women. Find her at www.laurenslaughter.com.

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Linda Sienkiewicz From Our House to Your House From Mom Egg Review 18 – HOME  From Our House to Your House from Linda Sienkiewicz on Vimeo. Linda K. Sienkiewicz is the author of the novel In the Context of Love. Among her book awards are the Hoffer Finalist for Fiction and the Sarton Women’s Book Award Finalist. Her short stories, essays and poetry have been published and anthologized in over fifty literary magazines. She has four poetry chapbooks, a poetry chapbook award and a Pushcart Prize Nomination. Her MFA is from Stonecoast at the University of Southern Maine.

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Soraya Shalforoosh Corporate Job with Headphones From Mom Egg Review 18 – HOME  Soraya Shalforoosh’s first collection of poetry, This Version of Earth, was published by Barrow Street in November 2014. Soraya has been a featured poet in the Journal of Academy of American Poets Emerging Poet Series, and has poems and reviews in Black Earth Institute, Court Green, Apogee Journal, WSQ, Taos Journal, Tribes.org etc.

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Quinn Rennerfeldt Garlic From Mom Egg Review 18 – HOME  Quinn Rennerfeldt studied creative writing at the University of Colorado at Boulder and currently lives in San Francisco with her daughters, husband, and menagerie. Her heart is equally wed to the Pacific Ocean and the Rocky Mountains. Her work can be found in Slipstream, Bird’s Thumb, Mothers Always Write, Punch Drunk Press, and elsewhere, among others. She is the co-founder of Q/A Poetry, a journal promoting womxn and nonbinary poets.

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Kimberly Ann Priest Wanting You Back Again From Mom Egg Review 18 – HOME  Kimberly Ann Priest is the author of Still Life (finalist for the PANK Little Books contest, forthcoming 2020), Parrot Flower (Glass Poetry Press, forthcoming 2020) and White Goat Black Sheep (FLP, 2018). She is a winner of a 2019 Heartland Poetry Prize from New American Press, an Assistant at Michigan State University, and a poetry editor for the Nimrod International Journal of Prose and Poetry. You can find her work at kimberlyannpriest.com.

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Kyle Potvin Ghosts of Weston Street From Mom Egg Review 18 – HOME  Kyle Potvin’s chapbook, Sound Travels on Water, won the Jean Pedrick Chapbook Award. She is a two-time finalist for the Howard Nemerov Sonnet Award. Her poems have appeared in Bellevue Literary Review, Crab Creek Review, Tar River Poetry, The New York Times, and others. Kyle lives in New Hampshire with her husband and two sons.

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Puma Perl Evicted From Mom Egg Review 18 – HOME  Puma Perl is an award-winning poet, writer, and journalist, and has five solo collections in print. The most recent is Birthdays Before and After (Beyond Baroque Books, 2019.) She is the producer and creator of Puma’s Pandemonium, which brings spoken word together with rock and roll, and she performs regularly with her band, Puma Perl and Friends. She lives and works on the Lower East Side.    

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Tali Perch Pieces of Home From Mom Egg Review 18 – HOME  Tali Perch is pursuing an MFA in Creative Nonfiction from Vermont College of Fine Arts. She enjoys writing about parenting, feminism, cultural anthropology, and her childhood as a Soviet-Jewish refugee. Her work has appeared in Sweet, Under The Gum Tree, The Colorado Review, Longreads, and elsewhere. Tali’s essay “Records on Bone” (2019) has been nominated by The Colorado Review for a Pushcart Prize. Currently, Tali is working on a memoir about the challenges she faced as a child of Soviet émigrés in the Eighties.

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