Review by Ruth Hoberman Marjorie Maddox’s most recent book, In the Museum of My Daughter’s Mind, is a (mostly) joyous celebration of prickly, eccentric visions. In 2018, Maddox tells us, she and her daughter, Anna Lee Hafer, a visual artist, drove three hours to Baltimore to visit that city’s American Visionary Art Museum. Some of the works they admired there—by Margaret Munz-Losch, Antar Mikosz, Ingo Swann, Christian Twamley, and Greg Mort—appear in Maddox’s book, as do Hafer’s own paintings, and two photographs by Karen Elias: each is paired with a poem Maddox wrote in response. The result—a swirling stew…
Author: Mom Egg Review
Eileen Cleary Leaves & Blooms Soon, April. And those of us who’d frozen our fingers clothespinning children’s outfits into brightly colored popsicles, or who’d shoveled snow just before the town’s plow pushed the icy streets onto our driveways, or who’d spilt the golden retriever’s ashes we’d agreed none of us would scatter until spring when all of us could gather, blink away lopsided snowmen blinded by hungry does. We notice the neighbors drag away electric deer who’ve glared through our windows for so long that our rescue puppy no longer interrogates them. We cannot help but recall our parent’s…
Rue Matthiessen Castles & Ruins—A Challenging Narrative. When I undertook to return to Ireland with my young family to try to find a castle called Annaghkeen, that I had lived near to as a child, I certainly did not have a book in mind. My mother had died forty years before, leaving a beautiful, personal chronicle of our summer there. It was called Annaghkeen, after the castle. My father was still living, and sometimes we talked about that summer, how we had to row from our small island to the landing and our car, to just get groceries or…
Review by Lara Lillibridge Castles and Ruins is a quiet, ruminative memoir shifting between the narrator’s year in Ireland as a child and her return years later as an adult with her husband and six-year-old son. Rue’s father, Peter Matthiessen, was a celebrated writer, the author of At Play in the Fields of the Lord, and repeated winner of the National Book Award. “His relationship was closest to whatever he was writing at the time, and his family was always second to that.” She clarifies this description, describing him as: … patrician and liberal, icy and warm, remote and…
Review by Christina Kelly This quietly searing collection of poems by Ann E. Wallace documents the confusion, pain and terror of the Covid pandemic, beginning when she first became severely ill in March 2020. Wallace, the 2023-24 Poet Laureate of Jersey City and Professor of English at New Jersey City University, has written an at times daily account of the three years that she and her two teenage daughters fought long COVID. In a clear and unpretentious style, she shares the struggle of recovering while also caring for suffering daughters, whose coughs are constant and dry. The book is…
Review by Jane Ward On the first day of first grade, my daughter and I walked into a room decorated by her new teacher with the usual lively trimmings: a colorful reading area rug, labeled cubbies for puzzles and books and art supplies, and number and alphabet letter banners running along all four walls. She also had hung from the ceiling a sign so big it couldn’t be missed. The sign read, Change Is Constant And Necessary–a message that guaranteed that each school day that year would be different and at times challenging, and in its way provided a…
Review by Ellen Meeropol When the reader first meets Mia, she is trying to find her bra. “I live in my car,” she tells us, “and I only have one bra. It has to be around here somewhere. I don’t like to sleep with the bra on. It’s a little scratchy. For those of you who have never worn a bra, let me be honest, you aren’t missing much” (1). Mia’s voice captivated me from her first words. A homeless young woman living in Los Angeles, we meet her in February 2020, just as the pandemic is about to…
Review by Carole Mertz Rollender Ties Her Faith Concepts to Her Poetic Vision Nicole Rollender’s emotional and richly endowed poems touch the heart. Very personal, they cover themes of maternal love, dreams and dreaming, religiosity, sobriety, marital fidelity, and angst; and they arrive in mostly weighted tones. The collection’s title alludes to the ephemeral, yet the poet’s pleasantly assonant lines linger, many assembled with vivid imagery. These poems are generally accessible. They present as free verse and some contain ethereal or surrealistic elements. Some remain enigmas, (see “If I Could Have Been Born the Lord’s Dog”). But even…
Review by Nicole Callihan “Can you see why I mother every possible thing?” Kai Coggin asks in Mother of Other Kingdoms. Here, in “Tender and Ache,” the poet has scooped a bumble bee from the windowpane, cupped his slow body, and carried it to a lilac tree. “If you die, at least die happy inside here,” the poet says to the bee. But the bee does not die—not yet anyway—and several hours later Kai witnesses the bee buzzing by—“I’m alive!—” and tells us: “This is how I mother. I rock the smallest species to sleep,/ lullaby our deepest human…
Review by Laura Dennis I know Syracuse, or at least I thought I did. My mother’s family lives just north of that city in the heart of New York’s snowbelt, homeland of the Onondaga. All that changed when I entered the world of Mary McLaughlin Slechta’s Mulberry Street Stories. In this 25-piece story cycle, a cast of recurring characters moves between past and present, between this world and an adjacent one not visible to all. The vast majority of the stories, many short enough to qualify as flash, are narrated in the third person, with three told in first…